Aðilyrâ

I first met “fair Laura” in a series of parties among the muticultural, international set in St. Louis of the mid 90s. She simply had to be taken; I presumed she was off limits. I’d attend the parties, from festivals in the homes of some of the members of the group I called “the Culture Club” to parties jam-packed into apartments in the northern Central West End, mostly in the hope she would be there. In autumn 1997, Laura attended a U2 concert with me and two other people. We seemed to hit it off; around this event I sketched a memory-portrait of a girl who rapidly displaced everything else in my mind. She disappeared, not returning calls or emails, she was out of reach and I didn’t know why. Suddenly in February 1998, she and I met again at a party in Dogtown. At that time my car had broken down at the corner of Brentwood and Brentwood, and I was on foot for 40 days. I’d recently bought a used car “Angelina” in pristine condition. I celebrated Angelina, showing me and Laura on a recent date. I’d just learned to drive stick and Laura was in for a bumpy drive! By the ensuing February I had proposed; I sketched her portrait in ballpoint pen in the half light of her apartment. Later, the man who married us, Bishop Naumann, signed that sketch. In May 1998, I sketched Laura in ballpoint and marker and later in that journal, I sketched her together with me, a vision of us married.

These drawings celebrate a magnificent woman who became my wife.

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“Incontra la Laura”

A memory portrait of my wife-to-be after our first date, with lecture notes.

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“La Mia Bella Angelina”

Laura is a passenger in my new old car.

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Aðilyrâ (“Fair Laura”)

This is a drawing of my wife Laura shortly before our marriage. The man who married us, Archbishop Joseph P. Naumann, signed this drawing after Pre-Cana.

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Rentika Jeleyne Añikçine Xisaene

Laura as dedicatee for the journal.

sketchbooks      

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“Icarus Nixaþinal, Reney Añikçinal”

Picture presaging a happy marriage.

     

This page last modified Monday 7 May 2012.